Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Thomas Pakenham
Dublin harbour with the domed Custom House in the background

ID: 49384

Thomas Pakenham Dublin harbour with the domed Custom House in the background
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Thomas Pakenham Dublin harbour with the domed Custom House in the background


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Thomas Pakenham

19 October 1864?C21 August 1915  Related Paintings of Thomas Pakenham :. | Wolfe Tone in the Uniform of a French Adjutant general as he apeared at his court-martial in Dublin | Robert Emmet 24-year-old brother of Thomas Addis Emmet | Joseph Holt,one of the few Protestants who fought with the rebels in Wicklow | Thomas Street,Dubli the Scene of Rober Emmet-s execution in 1803 | Cruikshank-s grim picture of the scene at Scullabogue barn,Country Wexford on June 5 |
Related Artists:
Johan Pasch
1706-1769
JANSSENS, Abraham
Flemish painter (b. 1575, Antwerpen, d. 1632, Antwerpen). Flemish painter. He painted historical, religious and mythological subjects, often on a large scale, derived principally from antique sculpture and the art of Michelangelo and Raphael and, to a lesser degree, from certain contemporaries, including the Dutch late Mannerists and the Bolognese school. He was highly esteemed in Antwerp but suffered, then and subsequently, from the inevitable comparison with his contemporary and formidable rival Rubens
Johannes Cornelisz Verspronck
(between 1600 and 1603, Haarlem - buried June 30, 1662, Haarlem) was a gifted Dutch Golden Age portraitist. He was the son of the painter Cornelis Engelsz from Gouda, who taught him to paint portraits. In 1632 he became a member of the Haarlem Guild of St. Luke and started a successful career as a portraitist of mostly Catholic sitters in Haarlem. He may have been a Frans Hals pupil, and was strongly influenced by him, especially in his natural expressions and relaxed poses. He is best known for his exactness in painting details such as jewelry and lace, which made him quite popular with female sitters. Most notably, he won a lucrative commission in 1642 for a group portrait of the regentesses of the St. Elisabeth Gasthuis, at the time the wealthiest charity institution in Haarlem. This was won at the expense of Frans Hals himself, who had painted the regents of the St. Elisabeth Gasthuis in 1641 and fully expected to win the commission for the women.






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